| Signatur | Titel | Jahr | KünstlerIn | Event | |
|---|---|---|---|---|---|
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forms2-2022.10100885 | «BLICKbait» [DS_V3A_S22] | 2022 | ||
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forms2-2022.10186115 | A Dialogue between a Wooden Moth and Blue Slippers | 2022 | ||
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forms2-2022.10227022 | Echo | 2022 | ||
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forms2-2019.884833 | nine smaller paintings | 2019 | ||
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forms2-2020.10004215 | fade over to an elsewhere | 2020 | ||
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forms2-2020.10005018 | Portraits 1–14 | 2020 | ||
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forms2-2020.10032321 | No habitual love | 2020 | ||
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forms2-2020.10034082 | growing anyway | 2020 | ||
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forms2-2020.10032300 | Das SVP-Inserat | 2020 | ||
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forms2-2020.10069727 | SOMA | 2020 | ||
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forms2-2020.10069718 | Deep down the oceans are rising hydrothermal vents | 2020 | ||
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forms2-2020.10069726 | Stage for disappearance | 2020 | ||
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forms2-2022.10098531 | L’Art Mot Nid et L(‘)Arme Au Nid | 2022 | ||
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forms2-2022.10099492 | tell me how to handle this shit ton of anger | 2022 | ||
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forms2-2022.10099511 | 25 | 2022 | ||
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forms2-2019.10033961 | Agate Grey | 2019 | ||
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forms2-2021.10102859 | Love, Transform, Repeat | 2021 | ||
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forms2-2021.10103786 | Santo Amaro’s bedroom view (after a painting by José Escada) | 2021 | ||
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forms2-2021.10102958 | fermentedself | 2021 | ||
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forms2-2022.10064756 | Sanok | 2022 | ||
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forms2-2021.10065765 | Umarme mich | 2021 | ||
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forms2-2018.976052 | Collaborations | 2018 | ||
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forms2-2018.975372 | Capsule II: Empathy | 2018 | ||
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forms2-2018.975418 | Generation Indoor | 2018 | ||
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forms2-2022.10145120 | on this side of the wall; things behind the light; on the edge of the forest; in three phases; you are looking the wrong way; diluted in the grass | 2022 |