| Signatur | Titel | Jahr | KünstlerIn | Event | |
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forms2-2017.884916 | Ohne Titel | 2017 | ||
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forms2-2017.976804 | (1) he is training smiling when he is alone in the train, forcing his muscles not to stop. he has got more than 50 face muscles, like us. by long distance train, he arrives at destination with a terrible trmbling face. he pretends to do it for the future, he doesn't care about real smiles. (2) Le plaisir est au bout! | 2017 | ||
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forms2-2017.975804 | Save the Poor Image / Hommage an Hito Steyerl | 2017 | ||
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forms2-2017.975665 | Die sieben letzte Lieder | 2017 | ||
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forms2-2017.975662 | (1) Rejetée / (2) Blueback | 2017 | ||
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forms2-2017.975807 | Bounty Beaches (Serie) | 2017 | ||
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forms2-2017.975802 | Black Molly Masse | 2017 | ||
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forms2-2017.944081 | Toter Winkel | 2017 | ||
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forms2-2018.10005386 | Supercycle. The Transitional Nowness | 2018 | ||
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forms2-2018.10005383 | 111 (make the unknown unknown, partialy known unknown) / Bleaching | 2018 | ||
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forms2-2019.10005642 | Description of an easement | 2019 | ||
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forms2-2022.10149204 | (perfectly together) | 2022 | ||
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forms2-2020.876807 | Remember the earth’s crackles | 2020 | ||
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forms2-2020.10034566 | May you live in interesting Times | 2020 | ||
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forms2-2021.10040653 | FUD (Fear, Uncertainty and Doubt) | 2021 | ||
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forms2-2020.740456 | The legacy of hugs | 2020 | ||
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forms2-2022.10147980 | Islands toward which the ocean rubs (“Hello resistance!”) | 2022 | ||
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forms2-2022.10144750 | tu te réveilles ce matin le ventre contre une pierre | 2022 | ||
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forms2-2022.10148019 | everything is talking to me | 2022 | ||
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forms2-2022.10148040 | Waterdrager | 2022 | ||
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forms2-2018.10005272 | Things are full of empty gods | 2018 | ||
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forms2-2019.939883 | reality island is elsewhere | 2019 | ||
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forms2-2020.10069701 | Human Encyclopedia of Hus | 2020 | ||
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forms2-2020.10084713 | Labor | 2020 | ||
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forms2-2020.10101230 | o.T. | 2020 |