|   | Signatur | Titel | Jahr | KünstlerIn | Event |
|---|---|---|---|---|---|
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forms2-2020.10021276 | Rowesys. Jätroboter und Corporate Identity | 2020 | ||
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forms2-2020.10105981 | It's a Trap - Enjoy | 2020 | ||
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forms2-2020.997616 | Charlie das Schaf | 2020 | ||
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forms2-2020.10030041 | Hinter den Kulissen. Von Improvisation und der Herausforderung die eigene Rolle zu finden | 2020 | ||
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forms2-2020.10030107 | Die Memoiren der Haptik. Eine Hommage an den Tastsinn am Esstisch | 2020 | ||
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forms2-2020.10079620 | A.1713 | 2020 | ||
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forms2-2020.974820 | Die Sitzbank – ein Spaziergang im urbanen Raum | 2020 | ||
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forms2-2020.973514 | Attitudes Toward Guns – A Transdisciplinary Work of Design | 2020 | ||
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forms2-2020.972616 | Ideally we would shine | 2020 | ||
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forms2-2020.948261 | Expanding the Fields of Creativity Through Programming. Programming as a Means to Enhance the Entwurfsphase of the Design Process | 2020 | ||
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forms2-2020.955623 | Das Museum als Third Place?. Potentiale für die Vermittlung im Raum | 2020 | ||
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forms2-2020.960650 | Dialogue | 2020 | ||
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forms2-2020.10002596 | uncensored | 2020 | ||
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forms2-2020.10002033 | PASSING TRACED LANDSCAPES | 2020 | ||
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forms2-2020.10030990 | Bildton. Interaktives Tool zur musikalischen Interpretation von Bewegtbild | 2020 | ||
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forms2-2020.10030987 | PlantMatter | 2020 | ||
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forms2-2020.10031572 | Die Fantasien des Glücks. Das unklare Gefühl | 2020 | ||
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forms2-2020.10102785 | Hilanderas (James S. Brady Briefing Room, White House, USA February 25, 2020) | 2020 | ||
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forms2-2020.10074593 | VISUAL COMMUNICATION OF INTERDEPENDENCE. A Theoretical-practical research into interdependence: a visual form of emptiness | 2020 | ||
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forms2-2020.10077865 | How Will We Be Remembered?. Social Media Images as Future Remnants | 2020 | ||
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forms2-2020.10005413 | Gleichgewicht - Sieben Tage, ein Zimmer. Installation, Alltagsgegenstände im Raum | 2020 | ||
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forms2-2020.10003976 | HANDS AND WONDERS | 2020 | ||
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forms2-2020.10021203 | Zwischen Menschlich und Pflanzlich | 2020 | ||
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forms2-2020.10003966 | Future II | 2020 | ||
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forms2-2020.10004215 | fade over to an elsewhere | 2020 | ||
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forms2-2020.10005018 | Portraits 1–14 | 2020 | ||
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forms2-2020.10032906 | SUPPER-SPREADER. Wie Verbindungen Türen öffnen | 2020 | ||
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forms2-2020.10032155 | Connector. mobile Architektur, die Menschen verbindet - Gegen soziale Ausgrenzung und Lebensmittelverschwendung | 2020 | ||
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forms2-2020.10033826 | Fehlerfolg | 2020 | ||
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forms2-2020.10032321 | No habitual love | 2020 | ||
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forms2-2020.10034082 | growing anyway | 2020 | ||
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forms2-2020.10032300 | Das SVP-Inserat | 2020 | ||
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forms2-2020.10073192 | A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs | 2020 | ||
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forms2-2020.10074574 | The EcoFamily. Climate Change and the Ecologically Friendly Educational Tool | 2020 | ||
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forms2-2020.10072863 | Typography Processing in Augmented Reality. Fitting/Linking/Adapting Texts to Large Objects in Open Space | 2020 | ||
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forms2-2020.10073459 | Improvisation im Design. Improvisation als Anforderung zum Denken | 2020 |