| Signatur | Titel | Jahr | KünstlerIn | Event | |
|---|---|---|---|---|---|
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forms2-2019.968339 | How to get in touch | 2019 | ||
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forms2-2019.970748 | NO FUN | 2019 | ||
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forms2-2022.10067058 | ZWISCHENSTAND: EIN ANFANG | 2022 | ||
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forms2-2019.972600 | SALIVA | 2019 | ||
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forms2-2020.972616 | Ideally we would shine | 2020 | ||
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forms2-2020.10002596 | uncensored | 2020 | ||
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forms2-2021.10030077 | MEAT THE MISTAKES. MEAT AND SMALL FAULTS | 2021 | ||
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forms2-2021.10030446 | There’s an alligator in my kitchen | 2021 | ||
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forms2-2018.962990 | x | 2018 | ||
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forms2-2022.10065926 | DER LÄRM IN MIR | 2022 | ||
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forms2-2018.942295 | "There is nothing more - but time" | 2018 | ||
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forms2-2020.10003976 | HANDS AND WONDERS | 2020 | ||
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forms2-2020.10003966 | Future II | 2020 | ||
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forms2-2021.10030706 | Was schon da ist, wahrzunehmen, den Kern einzupflanzen, wässern und wachsen zu lassen. | 2021 | ||
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forms2-2018.937591 | Es war etwas äusserst Praktisches.. It was also really practical. | 2018 | ||
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forms2-2018.924143 | x. This collection is inspired by Meret Oppenheims surrealist art and the subjective experience of being a woman. A portrait of modern femininity. | 2018 | ||
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forms2-2018.941163 | Im Dazwischen. In the in-between | 2018 | ||
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forms2-2019.939852 | Elegance is the suavity in movement. | 2019 | ||
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forms2-2020.10001047 | SHOES IN PARIS ARE INCREDIBLY BORING | 2020 | ||
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forms2-2020.998796 | ALIEN | 2020 | ||
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forms2-2020.998826 | HOMME FATAL | 2020 | ||
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forms2-2020.999329 | EIN ZWEITES LEBEN SCHENKEN | 2020 | ||
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forms2-2018.169994 | Niccefn / NCCFNFF | 2018 | ||
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forms2-2019.970750 | You say Witch like it`s a bad thing. | 2019 | ||
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forms2-2019.970910 | -ok?- | 2019 |