|   | Signatur | Titel | Jahr | KünstlerIn | Event |
|---|---|---|---|---|---|
|
zotero2-1510019.VGAWFFFT | Zugänge zur Schmuckgestaltung schaffen | 2025 | ||
|
zotero2-1510019.DKI5QTKE | Festival Nomade | 2013 | ||
|
zotero2-1510019.UKJSZ3QI | moving ID | 2002 | ||
|
zotero2-1510019.CSKM4NSC | s'installer | 2002 | ||
|
zotero2-1510019.TW3M6H92 | Rethinking ways of exchange | 2025 | ||
|
zotero2-1510019.92GWPSPW | Mobile Küche | 2020 | ||
|
zotero2-1510019.CFZJU92X | Set Conditions for (Re)Creational Spaces | |||
|
zotero2-1510019.PDIHKJCB | We Layer, We Connect, We Multiply | |||
|
zotero2-1510019.DD7G8WUP | Making Your So-Called Justice Obsolete | |||
|
zotero2-1510019.MP9CWW6X | Human Powered Dings | 2020 | ||
|
zotero2-1510019.C97TTF6K | BOYS DON'T CRY | 2019 | ||
|
zotero2-1510019.TPIUDFTT | Archival Ink - Everything, Just To Die | |||
|
zotero2-1510019.R6ECN753 | The Question Of Responsibility - Designer's Approach On Sustainable Guitar Making | |||
|
zotero2-1510019.3SPFMXSW | Schoolyard | 2008 | ||
|
zotero2-1510019.TMINM9UW | Wie Gestalte Ich Einen Youtube-Kanal Und Warum? | |||
|
zotero2-1510019.H78EKEMH | Plastic Be/ings | 2016 | ||
|
zotero2-1510019.6PSNPWYJ | Reverse filmmaking | 2018 | ||
|
zotero2-1510019.IMP8DGKB | INSIGNIO | 2009 | ||
|
zotero2-1510019.FXHA2FSX | Aufmerksamkeit vs. Gewohnheit | 2015 | ||
|
zotero2-1510019.RAEKIAH7 | Stimmstoff | 2013 | ||
|
zotero2-1510019.Z9VD5DSX | Debate | 2002 | ||
|
zotero2-1510019.X2XJ2DUX | inputout series | 2009 | ||
|
zotero2-1510019.3DHNXSQ5 | (Transcerebrum) Die Begegnung | 2019 | ||
|
zotero2-1510019.7QAJZW27 | DESIGNING AS PROCESS ASPEKTE IM SPEKTRUM DER PROZESSGESTALTUNG | 2022 | ||
|
zotero2-1510019.XMMJCH5A | Die Kunst des Miteinanders | 2020 |