Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 (2021)Portal, Fernando 1
Nebenan (2015)Pfister, Nara et al. 5 1
x. This collection is inspired by Meret Oppenheims surrealist art and the subjective experience of being a woman. A portrait of modern femininity. (2018)Lipp, Laia Liu 1 2
Postcard 11: Memory and Gender. A visit to the exhibition "Robes Politiques", Textilmuseum St Gallen (2021)Zufferey, Nicolas et al. 1 1
Beyond the smile. Design of a campaign to raise awareness about depression (2018)Schenner, Gabriela 1
Eins bis .. (2015)Ritzmann, Marion et al. 6
I dreamed a dream we went back in time with our today‘s mind. (2021)Kager, Ilja 5 1
CLOSE (A) SPACE. Fine Art Print auf Alu, 53 x 40 cm (2018)Gallus, Nathalie Victoria 1
Exploring the Void. Leaving out of information as a communicative potential in photography (2019)Meyer, Marianna Helen 6
VISUAL COMMUNICATION AS A PEACE-BUILDING TOOL. The struggle of Colombian social leaders (2019)Peralta Duran, Natalia 2
Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction (2013)Kirnbauer, Martin 1
The question of responsibility. A designer's approach to sustainable guitar making (2021)Aeschbach, Gabriel 1
Everybody Has A Plan, Until You Get Punched In The Face (2022)von Graffenried, Janosch 1
Let’s Make School Great Again. A Hybrid Super Culture Through Creolisation (2018)Studer, Jonas 1
Visual Well-being. A visual approach to design for the subjective well-being (2021)Karitonov, Elina 4 7
Movement as Medium. Investigating the Moving Body as a Tool in Graphic Design (2019)McLean, Shane 10
Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction (2013)Kirnbauer, Martin 9 1
Food for Thought. A Visual Exploration of Food Culture in India and Europe (2022)Gonsalves, Chiara 5 2
Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. (2022)Zafferani, Giulia 6 1
A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs (2020)Cavazzoni, Andrea 4 2
Digital Fingerpaint (2013/2017)De Pinto, Pier Giorgio et al. 1 1 6
Mitschnitt Workshop: Diagraming Practice: a workshop exploring archives and their relationship to databasesNewman, Hayley; Reedy, Bryan 1
An Evidence-based Reconstruction of a Viol after Silvestro Ganassi / Thilo Hirsch (2013)Hirsch, Thilo 1
From the hearth – a process of discovery concerning the concept of “resonance” (2024-10-21)Team peripher_ies 1
Telling the Foreign. A Travel Kit for Design Students – ready for download! (2018-05-04)Falk, Anka 1
The poetic story of a state-of-mind. Sharing emotional states through self-illustrated graphic narratives (2021)Schwitzguébel, Aude 1
Take your body for a walk (Score) (2021)[The Field] et al. 1 1
Perception of Beauty. How does advertisement design enforce a norm through aesthetic of reception? (2017)Dubois, Debolina 1
Mascarade du Vaisseau marchand, Representée devant Le Roy au milieu des Ballets a Marly le jeudy 18e. Février 1700. (1700)Philidor [l'aîné] (~1652 - 1730), André
Non-Fungible. An Observation of the NFT phenomena, a study in data abstraction. (2021)Pohl, Aubrey 1 12
Graphics in Space. Anamorphosis as a tool affecting the perception of an intermediate space (2019)Lang, Jessica 1 1
Sunny Moment. An Investigation of Colourful Sun Visualizations by Making a Tool for Recreation (2020)Haschemi Schirazi, Elena 3 1
Ab Boden (2015)Lerjen, Marie-Anne et al. 2
If you're empty you become a shell to someone else`s pearl (2025-05-10)Widmer, Lea 3
To m-other a plant: Špela Petričs Ästhetik nicht-menschlicher Für/Sorge (2024)Volkart, Yvonne et al. 1
Learning an Indian raga in Dorian mode. Video recording of a lesson (2026)Zuckerman, Ken