The EcoFamily. Climate Change and the Ecologically Friendly Educational Tool (2020)Kosik, Klaudia 3 2
Cracks in the Soul (2018)Nilo, Dawn et al. 8
Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 (01.11.2018)Schürch, Dorothea 36 1
Fotosession bei der Fotografin Gisela Gamper, Kingston, N.Y. (1993)Schenker, Margrit et al. 5 1
Passaparola (2021)Frei, Lilian et al. 2 1 1
Der Hosenträger (2001)Mäder, Urban et al. 1
Die Puppe spielen (2018)Petitpierre, Vincent 1
Ideally we would shine (2020)Weibel, Sabeth Louise 1 3
Konzertauftritt Act Bern 2007 (2007)[it sounds like rita] et al. 20 1
Keimfrei (1998)Hody, Anne et al. 3
Doppelganger 3 (2019)Lim, Douna et al. 2 3
La mort existe (2004)Ghisalberti, Flavia et al. 1
Lay Down (2019)König, Lysann et al. 1
collective bodies (2018)Grimm, Claudia et al. 2
invisible (2020)Abrecht, Delphine et al. 21
Contrebasse de hautbois/cromorne, ~1750 (1720-1783)Heise, Johann Conrad 1
Paloma, Performance mit Video (2020)Grau, Pascale et al. 5 1
(2017-04-22)Heitzmann, Marco
Pedro Meier, 2019, Finnegans Wake, Paraphrasen zu James Joyce, Licht- Sound Performance und Installation, Kulturzentrum Niederbipp. By Pedro Meier Multimedia Artist und Schriftsteller (2019)Meier, Pedro et al. 26 1 1
In Formation. Future Memoirs of Indian Matchbox labels (2022)Dixit, Prarthana 3 4
The secret behind Cesare Bendinelli’s (1542–1617) “Volume di Tutta l’arte della trombetta” (1614) (2023)Madeuf, Jean-François et al.
o.T. (2013)Lipp, Dominik et al. 10
passepartout, what goes up must come down, 2005 (2005)RELAX et al. 4 1
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? (2021)Lucas, Frances 8 2
Geh die Parzelle (2015)Lerjen, Marie-Anne et al. 3