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Semi-improvised trumpet sonata played by a natural trumpet ensemble after Cesare Bendinelli’s “Volume di Tutta l’arte della trombetta” (1614)
(2023)

https://www.forschung.schola-cantorum-basiliensis.ch/de/forschung/improvisation-trompeten-ensemble.html

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This video shows how a natural trumpet ensemble with a kettledrum would have played in the late Renaissance and early Baroque era. The sonata interpreted by the musicians is semi-improvised after models from Cesare Bendinelli’s “Volume di Tutta l’arte della trombetta” (1614): the Toccata n° 1 (fol. 5r), the Sonata n°117 (fol. 27v), and the Rotta from the Sonata n° 328b (fol. 53v).

Credits

Performers

1st choir: Jean-François Madeuf (clarino), Olivier Mourault (quinta), Igino Conforzi (alto e basso), Karo Onderko (vulgano), Robert Hernandez (grosso)
2nd choir: Julian Zimmermann (clarino), Matthew Gajda (quinta), Nikolai Mänttäri (alto e basso), Daniel Chidgey (vulgano), Tin Cugelj (grosso). Philipp Tarr (timpani).

Recorded in Basel, Predigerkirche, 8 April 2022

Production: Henry Moderlak (audio), Philippe Jost and Chandra Rolf Mäder (video)

place: Basel

Extra

Key:	3FB2CKQD
RunningTime:	00:08:47
handle:	20.500.11806/med/52jj-7s5p-11
Rights:	© 2023 FHNW / Schola Cantorum Basiliensis / Hochschule für Musik Basel
SeriesTitle:	«... und machens nur aus dem Synn»
DateAdded:	2026-03-25T10:45:24Z
DateModified:	2026-03-25T10:48:21Z

Semi-improvised trumpet sonata played by a natural trumpet ensemble after Cesare Bendinelli’s “Volume di Tutta l’arte della trombetta” (1614) (2023)

Semi-improvised trumpet sonata played by a natural trumpet ensemble after Cesare Bendinelli’s “Volume di Tutta l’arte della trombetta” (1614)
(2023)